Georgia is the most extensive state east of the Mississippi River in terms of land area, although it is the fourth most extensive (after Michigan, Florida, and Wisconsin) in total area, a term which includes expanses of water which are part of state territory.
Buzz is one of the two official mascots of the Georgia Institute of Technology. Buzz is usually represented as a stylized yellowjacket with yellow-and-black fur, white wings, a yellow head, and antennae. He is almost never drawn with six legs, but rather with arms, legs, hands (in white gloves) and feet (in black Converse high tops), like a human. Invented in 1972 and reinvented in 1979, Buzz reflects the tradition of referring to Georgia Tech students as "Yellow Jackets." Buzz is also one of Georgia Tech's emblems and trademarks, one that they defended in a 1998 legal conflict with the Salt Lake Buzz.
Wadsworth Aekins Jarrell is an African-Americanpainter, sculptor and printmaker. Born in Albany, Georgia, he moved to Chicago, Illinois, where he attended the Art Institute of Chicago. After graduation, he became heavily involved in the local art scene and through his early work he explored the working life of blacks in Chicago and found influence in the sights and sounds of jazz music. In the late 1960s he opened WJ Studio and Gallery, where, along with his wife, Jae, he hosted regional artists and musicians. Mid-1960s Chicago saw a rise in racial violence leading to the examination of race relations and black empowerment by local artists. Jarrell became involved in the Organization of Black American Culture, a group that would serve as a launching pad for the era's black art movement. In 1967, OBAC artists created the Wall of Respect, a mural in Chicago that depicted African American heroes and is credited with triggering the political mural movement in Chicago and beyond. In 1969, Jarrell co-founded AFRICOBRA: African Commune of Bad Relevant Artists. AFRICOBRA would become internationally acclaimed for their politically themed art and use of "coolaid colors" in their paintings. Jarrell's career took him to Africa in 1977, where he found inspiration in the Senufo people of Nigeria. Upon return to the United States he moved to Georgia and taught at the University of Georgia. In Georgia, he began to use a bricklayer's trowel on his canvases, creating a textured appearance within his already visually active paintings. The figures often seen in his paintings are abstract and inspired by the masks and sculptures of Nigeria. These Nigerian arts have also inspired Jarrell's totem sculptures. Living and working in Cleveland, Jarrell continues to explore the contemporary African American experience through his paintings, sculptures, and prints. His work is found in the collections of the National Museum of African American History and Culture, High Museum of Art, The Studio Museum in Harlem and the University of Delaware.
I think if I had my life to live over again, I'd do things a little different. I was aggressive, perhaps too aggressive. Maybe I went too far. I always had to be right in any argument I was in, I always had to be first in everything. I do indeed think I would have done some things different. And if I had I believe I would have had more friends.